EXCLUSIVE EUROVISION 2026 INTERVIEW | DARA (BULGARIA): “Bangaranga” drives away the demons we carry – anxiety, shame, doubt – much like the ancient spirit of the Bulgarian Kuker, whose ritual was meant to chase away darkness and make space for renewal.”
After a three-year hiatus that left a void on the Eurovision stage, Bulgaria has officially returned—and they’ve brought their biggest gun.
Darina Yotova, known globally as Dara, isn’t just a pop star; she’s a cultural phenomenon. From her explosive debut on X Factor Bulgaria to her tenure as the youngest-ever judge on The Voice, Dara has spent the last decade perfecting the art of the “Balkan Banger.” But 2026 feels different. With her entry “Bangaranga,” she isn’t just aiming for the Grand Final in Vienna; she’s aiming for a permanent spot in the pantheon of Eurovision royalty.
We sat down with the “Queen of Bulgarian Pop” to talk about the weight of a comeback, the secret meaning behind her lyrics, and why 2026 is finally the year she feels ready to conquer Europe.
Dara will attend the Eurovision Pre-party from Bucharest, April 18th, event organized by TVR, E-MAGIC and OGAE, and where you can enjoy the performances of other reknown artists such as Jamala, Akylas, Paula Seling, and, of course, our cool, competitive & powerful representative this year, Alexandra Căpitănescu. Tickets here.
On the Selection & Comeback
- Bulgaria is returning to Eurovision after a three-year break. How does it feel to be the artist chosen to lead the country’s “renaissance” on the world’s biggest stage?
It feels like both an honor and a responsibility. Coming back after a break means expectations are higher, but it also gives you the chance to redefine how your country is seen on that stage. I don’t see it as pressure in a negative way – I see it as momentum. We’re coming back with intention.
- You won the national selection unanimously with both the jury and the public. Did that overwhelming support change how you viewed the pressure of the competition?
It actually shifted the pressure into responsibility and focus. It’s no longer about winning something – it’s about representing that collective support in the best possible way.
- There were reports shortly after your win that you considered withdrawing due to online pressure. What was the turning point that made you decide to stay and “fight” for your vision?
There’s always noise, especially around something as visible as Eurovision. I had a moment where I had to step back and ask myself why I’m doing this. The turning point was reconnecting with my purpose – the music, the message, and the people who genuinely support me. That made the decision very clear.
🎵 On the Song: “Bangaranga”
- “Bangaranga” was selected from three potential tracks. What was it about this specific song that made you feel it was “the one” for Vienna?
From the first moment, it felt like a statement – not just a song. „Bagaranga” holds the energy that can awaken your higher self. It comes from a place of love. Being the „bangara” means you know who you are. Being in the right place at the right moment. „Bangaranga” drives away the demons we carry – anxiety, shame, doubt – much like the ancient spirit of the Bulgarian Kuker, whose ritual was meant to chase away darkness and make space for renewal.
- You worked with a powerhouse team including Dimitris Kontopoulos and Anne Judith Wik. How much of your personal “ADHDARA” era identity is infused into this Eurovision entry?
It’s very much present. No matter who I collaborate with, I always make sure the final result feels like me. That sense of identity is something I never compromise on. The energy, the contrasts, the unpredictability – all of that comes from my world. It still feels like me, just amplified. That era was about exploring different sides of myself, and I think you can feel that complexity in this project as well.
- The title “Bangaranga” sounds high-energy and bold. What is the core message you want the European audience to take away from those three minutes?
To let go. To stop overthinking and just feel. It’s about stepping into your power and allowing yourself to be fully present without limits or self-doubt.
On the Vienna 2026 Experience
- The 2026 contest is the 70th anniversary of Eurovision. Are you planning any special “nods” to the contest’s history, or are you focused strictly on a futuristic, modern performance?
I think Eurovision has such a rich history that it naturally lives within everything we do, even without direct references. For me, the focus is on creating something that feels true to this moment, something that reflects where I am as an artist right now. Eurovision has evolved so much, and I think contributing to that evolution is the most meaningful way to be part of its history.
- You’ve already started your promo tour in places like Greece and Norway. How has the international “Eurofan” reception differed from what you expected?
Fans are extremely engaged and detail-oriented, they notice everything. What surprised me most is how quickly they connect emotionally, even across language and culture.
- Vienna is a city known for classical elegance, but your style is very “unrestrained genre-blending.” How do you plan to bring that “Varna energy” to the Wiener Stadthalle?
I like that contrast. There’s something exciting about placing a very raw, contemporary energy in a setting that’s known for its elegance. It creates tension, and that tension can be very powerful on stage. My intention remains the same – to create a moment that feels real and connects with people.
🌟 On Personal Growth
- You’ve gone from X Factor finalist to a coach on The Voice of Bulgaria, and now to Eurovision. Looking back at your debut “K’vo ne chu,” how has the Dara of 2016 prepared you for the Dara of 2026?
In 2016, I was driven by instinct and excitement, but I was still discovering who I am. Over the years, I’ve built experience, discipline, and a much clearer sense of identity. Now I’m more intentional in everything I do, and that makes a huge difference.
- You mentioned that your 2025 album ADHDARA was your most intimate project. Will we see that same vulnerability on stage, or should we expect a full-on “Thunder”-style power performance?
I think vulnerability doesn’t always have to be quiet or obvious. For me, it can exist even in the strongest moments. What’s important is that it feels honest and that’s something I always try to bring, no matter the form.
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